THE SIGNATURES OF A NEW ART OF LIVING
In 1963, the trio of artists invented one of the Maison's signatures by carving out new territory for the scented candle. Previously a purely practical item, the candle was transformed, in their hands, into a decorative and sensory object. Now it was possible to travel without ever leaving your living room, to lend your home a distinctive character. With the simplest of gestures, this refined and creative object took on a universal character to become the icon of a new art of living.
Aubépine (Hawthorn), Cannelle (Cinnamon) and Thé (Tea) were the first scents in a herbarium inspired by nature’s sensations – an olfactory landscape of spices, flowers and leaves. This original process is part of the legacy bequeathed by Desmond Knox-Leet, who composed his fragrances as a painter prepares his palette, by mixing his raw materials.
THE SIGNATURES OF A NEW ART OF LIVING
Five years later, Diptyque continued its olfactory explorations when it released its first eau de toilette. The inspiration for L’Eau came from a 16th-century recipe containing cinnamon, rose, clove, geranium and sandalwood – a nod to traditional clove-studded English orange ‘pomanders’.
Like no other genre, L’Eau is an olfactory work of art. The first in a collection of eaux de toilette and fragrances, it promised boundless wanderings through distant lands: journeys into the intimate workings of a real or imagined memory.







